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The W 603 High Back Chair
W. is the result of a design paradigm that states “subtraction adds value”, “Less is More.” The less there is in terms of aesthetics of each individual component, the more the impact of the wood itself is heightened.
The natural wood or lacquered is shaped with attention to the thicknesses, the angles, the relationship between the components, in order to achieve a balanced and streamlined design.
Chair or barstool, lounge chair or rocker, all convey a strong historical characterization, alongside the height of modernity.The reinterpretation of a classic. The re-design of a type of chair amongst the most well-known in design history: the Windsor Chair. The W. family comprises chair, armchair, barstool and rocker, Billiani’s first ever rocking chair.
Designer: Fabrizio Gallinaro
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The W 606 Lounge Chair
W. is the result of a design paradigm that states “subtraction adds value”, “Less is More.” The less there is in terms of aesthetics of each individual component, the more the impact of the wood itself is heightened.
The natural wood or lacquered is shaped with attention to the thicknesses, the angles, the relationship between the components, in order to achieve a balanced and streamlined design.
Chair or barstool, lounge chair or rocker, all convey a strong historical characterization, alongside the height of modernity.
The reinterpretation of a classic. The re-design of a type of chair amongst the most well-known in design history: the Windsor Chair. The W. family comprises chair, armchair, barstool and rocker, Billiani’s first ever rocking chair.
Designer: Fabrizio Gallinaro
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The W 605 Dining Chair
W. is the result of a design paradigm that states “subtraction adds value”, “Less is More.” The less there is in terms of aesthetics of each individual component, the more the impact of the wood itself is heightened.
The natural wood or lacquered is shaped with attention to the thicknesses, the angles, the relationship between the components, in order to achieve a balanced and streamlined design.
Chair or barstool, lounge chair or rocker, all convey a strong historical characterization, alongside the height of modernity.
The reinterpretation of a classic. The re-design of a type of chair amongst the most well-known in design history: the Windsor Chair. The W. family comprises chair, armchair, barstool and rocker, Billiani’s first ever rocking chair.
Designer: Fabrizio Gallinaro
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The W 607 Barstool
W. is the result of a design paradigm that states “subtraction adds value”, “Less is More.” The less there is in terms of aesthetics of each individual component, the more the impact of the wood itself is heightened.
The natural wood or lacquered is shaped with attention to the thicknesses, the angles, the relationship between the components, in order to achieve a balanced and streamlined design.
Chair or barstool, lounge chair or rocker, all convey a strong historical characterization, alongside the height of modernity.
The reinterpretation of a classic. The re-design of a type of chair amongst the most well-known in design history: the Windsor Chair. The W. family comprises chair, armchair, barstool and rocker, Billiani’s first ever rocking chair.
Designer: Fabrizio Gallinaro
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Load Lounge Chair 612
A timeless design piece, a refined and meticulous study on the subject of archetypical form. In the version Load Ropes, the juxtaposition with coloured ropes makes it even more elegant and cutting edge. A solid beech chair, armchair, lounge chair and barstool with the seat also available padded. Back in wood or rope strapping.
Load takes its inspiration from Scandinavian design to conjure up a new concept of contemporaneity, is the search for new dimensional relationships, and is designed to bestow a new mood on the chair.
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Doll Upholstered Lounge Chair 551
This is the story of a little girl’s doll.
A collection of dollies, as the name suggests. A complete range of chairs, armchairs, lounge chair, barstool and table, with alluringly sweet lines; solid beech or metal frames. Seats and backs upholstered, or stained or lacquered.
The Doll’s sleek lines become even more embracing: the new enveloping lounge chair and the versatile coffee table are ideal for those moments of relaxation.
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Croissant Counter Barstool with Armrest 571
The Croissant Barstool with Armrest. A crucial thought. A fine figure of belonging binds all the Croissant collection, a design that comes up again, the cruise that distinguishes all the seating and tables. Stools beech, various seat heights. from the dining room to the lounge room, from the bar to the restaurant desk, from the lobby to the suite: a complete collection. As a fresh edition of the bench and ottoman perfectly coordinated with sofa and armchair; even more functional and versatile is the variant with a partial cushion that facilitates the support of grants and computer.
Designer: Emilio Nanni
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Croissant Armchair 572
The Croissant Armchair. A crucial thought. A fine figure of belonging binds all the Croissant collection, a design that comes up again, the cruise that distinguishes all the seating and tables. Stools beech, various seat heights. from the dining room to the lounge room, from the bar to the restaurant desk, from the lobby to the suite: a complete collection. As a fresh edition of the bench and ottoman perfectly coordinated with sofa and armchair; even more functional and versatile is the variant with partial cushion that facilitates the support of grants and computer.
Designer: Emilio Nanni
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Croissant Side Chair 570
The Croissant Side Chair. A crucial thought. A fine figure of belonging binds all the Croissant collection, a design that comes up again, the cruise that distinguishes all the seating and tables. Stools beech, various seat heights. from the dining room to the lounge room, from the bar to the restaurant desk, from the lobby to the suite: a complete collection. As a fresh edition of the bench and ottoman perfectly coordinated with sofa and armchair; even more functional and versatile is the variant with partial cushion that facilitates the support of grants and computer.
Designer: Emilio Nanni
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Croissant Chair 564
A crucial thought. A fine figure of belonging binds all the Croissant collection, a design that comes up again, the cruise that distinguishes all the seating and tables. Stools beech, various seat heights. from the dining room to the lounge room, from the bar to the restaurant desk, from the lobby to the suite: a complete collection. As a fresh edition of the bench and ottoman perfectly coordinated with sofa and armchair;even more functional and versatile is the variant with partial cushion that facilitates the support of grants and computer.
Designer: Emilio Nanni
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Take 586 Upholstered Chair
The Take 586 Upholstered Chair is a strong character. Great functional applications, not merely based on appearance, highlighting the care to detail for a chair of extreme lightness. Stacking beech side chair. Can be fitted with a seat pad upholstered in leather or fabric.
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Aragosta 580 Chair
The Aragosta 580 Chair Pointed claws and antennas on a chunky body, hence the name, which means lobster in Italian. The larger parts are rendered lighter through discreet but decisive detail. The woodvein is this crustacean’s upper shell, in ashwood. This is the only chair available with open pore “lobster red” lacquering, and it comes in chair (stackable and non-stackable), lounge and table versions.
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Aragosta 582 Lounge Armchair
The Aragosta 582 Lounge chair. Pointed claws and antennas on a chunky body, hence the name, which means lobster in Italian. The larger parts are rendered lighter through discreet but decisive detail. The woodvein is this crustacean’s upper shell, in ashwood. This is the only chair available with open pore “lobster red” lacquering, and it comes in chair (stackable and non-stackable), lounge and table versions.
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Tracy 596 Upholstered Barstool
The Tracy 596 Upholstered Barstool has a weakness for generous forms. The Tracy 596 Upholstered Barstool comes in turned solid beech wood. Also, elegantly curving multiply back or in tapered solid rods. Curved wooden seat, optionally upholstered.
Designer: Emilio Nanni
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Tracy 597 Tapered Back Barstool
The Tracy 597 Tapered Back Barstool has a weakness for generous forms. The Tracy 597 Tapered Back Barstool comes in turned solid beech wood. Also, elegantly curving multiply back or in tapered solid rods. Curved wooden seat, optionally upholstered.
Designer: Emilio Nanni
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Tracy 598 Upholstered Taper Back Barstool
The Tracy 598 Upholstered Taper Back Barstool has a weakness for generous forms.Tracy 598 Upholstered Taper Back Barstool comes in turned solid beech wood. Also, elegantly curving multiply back or in tapered solid rods. Curved wooden seat, optionally upholstered.
Designer: Emilio Nanni
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Tracy 567 Tapered Back Chair
The Tracy 567 Tapered Back Chair with a Tapered Back has a weakness for generous forms. The Tracy has been designed in a Side chair and a barstool in turned solid beech. The Tracy comes in two different backs, both are elegant. The curved solid back or in a tapered back with solid rods. The Curved wooden seat can be upholstered as shown in Tracy 568.
Designer: Emilio Nanni
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Tracy 568 Upholstered Tapered Back Chair
The Tracy 568 Upholstered Chair with a Tapered Back has a weakness for generous forms. The Tracy has been designed in a Side chair and a barstool in turned solid beech. The Tracy comes in two different backs, both are elegant. The curved solid back or in a tapered back with solid rods. The Curved wooden seat can be upholstered as shown or without upholstery.
Designer: Emilio Nanni
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